Two Sonnets
SONNET The wolf prowls the hills, kills what it kills. We make our house on stilts to avoid the firm ground and the loose ground alike. Sounds of a prophet and the soundlessness of a hermit as heard...
View ArticleJameson Responds
Editor’s note: this is a response to Jameson’s Antinomies of Realism, published on nonsite.org. *** I’m grateful for this symposium on Antinomies, not least because of the varied backgrounds reflected...
View ArticleJameson’s The Antinomies of Realism
Fredric Jameson’s new book, The Antinomies of Realism (Verso, 2013), seemed tailor-made for nonsite’s interests. Marxism and affect theory, contemporary politics and Realist aesthetics–a set of...
View ArticleAction and Automatism
Editor’s note: the debate between Diarmuid Costello and Charles Palermo on photography first began in the Summer 2012 issue of Critical Inquiry and continues on their website under the heading Debating...
View ArticlePhotography, Automatism, Mechanicity
Editor’s note: the debate between Diarmuid Costello and Charles Palermo on photography first began in the Summer 2012 issue of Critical Inquiry and continues on their website under the heading Debating...
View ArticleRe: Response to Walter Benn Michaels
To: Charles Palermo Department of Art and Art History The College of William and Mary Re: Response to Walter Benn Michaels January 18, 2014 Dear Charles, I haven’t seen Owen Kydd’s “durational...
View ArticleThe Force of a Frame:
“it has the force of a frame to a picture.”* –Edgar Allan Poe, The Philosophy of Composition Owen Kydd makes videos that he calls “durational photographs.” What makes them seem like photographs is...
View ArticleResponse to Kaja Silverman
In The Miracle of Analogy Kaja Silverman offers nothing less than a rewriting of the history and theory of photography. Dissatisfied with the two central models of photographic discourse—the authorial...
View ArticleThe Miracle of Analogy
The following text emerges from Kaja Silverman’s forthcoming book The Miracle of Analogy (Stanford University Press, 2014). The opening section is drawn from the first chapter and the discussion of...
View ArticlePhotography and Philosophy:
The following six essays are intended as three exchanges around three topics—the autonomy of the photographic image, automatism, and time and meaning—that will be the themes of three panels in a...
View ArticleTwo Sonnets
SONNET The wolf prowls the hills, kills what it kills. We make our house on stilts to avoid the firm ground and the loose ground alike. Sounds of a prophet and the soundlessness of a hermit as heard...
View ArticleJameson Responds
Editor’s note: this is a response to Jameson’s Antinomies of Realism, published on nonsite.org. *** I’m grateful for this symposium on Antinomies, not least because of the varied backgrounds reflected...
View ArticleJameson’s The Antinomies of Realism
Fredric Jameson’s new book, The Antinomies of Realism (Verso, 2013), seemed tailor-made for nonsite’s interests. Marxism and affect theory, contemporary politics and Realist aesthetics–a set of...
View ArticleAction and Automatism
Editor’s note: the debate between Diarmuid Costello and Charles Palermo on photography first began in the Summer 2012 issue of Critical Inquiry and continues on their website under the heading Debating...
View ArticlePhotography, Automatism, Mechanicity
Editor’s note: the debate between Diarmuid Costello and Charles Palermo on photography first began in the Summer 2012 issue of Critical Inquiry and continues on their website under the heading Debating...
View ArticleRe: Response to Walter Benn Michaels
To: Charles Palermo Department of Art and Art History The College of William and Mary Re: Response to Walter Benn Michaels January 18, 2014 Dear Charles, I haven’t seen Owen Kydd’s “durational...
View ArticleThe Force of a Frame:
“it has the force of a frame to a picture.”* –Edgar Allan Poe, The Philosophy of Composition Owen Kydd makes videos that he calls “durational photographs.” What makes them seem like photographs is...
View ArticleResponse to Kaja Silverman
In The Miracle of Analogy Kaja Silverman offers nothing less than a rewriting of the history and theory of photography. Dissatisfied with the two central models of photographic discourse—the authorial...
View ArticleThe Miracle of Analogy
The following text emerges from Kaja Silverman’s forthcoming book The Miracle of Analogy (Stanford University Press, 2014). The opening section is drawn from the first chapter and the discussion of...
View ArticlePhotography and Philosophy:
The following six essays are intended as three exchanges around three topics—the autonomy of the photographic image, automatism, and time and meaning—that will be the themes of three panels in a...
View Article
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